Interior Photography

Interior Photography for Designers, Architects and Brands | Dug Wilders

Some interiors need the whole room explained in one photograph. Others are better understood through a chair catching the light, a piece of joinery, a junction between materials or a glimpse from one space into another.

That is what I enjoy about photographing interiors.

I work with interior designers, architects, kitchen companies, furniture manufacturers, hotels, developers and other design-led businesses across the UK. The spaces vary enormously: high-end homes, offices, restaurants, hotels, showrooms, kitchens and occasionally interiors that are almost impossible to categorise.

I don’t believe every room should be made to look enormous. Excessively wide lenses can turn a beautifully proportioned space into something it isn’t. I generally prefer considered viewpoints, accurate verticals and compositions that show how the room actually feels.

Light is equally important. Sometimes a bright, clean interior works beautifully during the middle of the day; another space might only really come alive when the sun is low or the architectural lighting begins to take over. I use additional lighting when it improves the photograph, but I don’t want the result to look as though a photography studio has been dropped into the room.

A good interior shoot will normally include a mixture of wider establishing photographs and tighter details. The latter are particularly important for designers and manufacturers: finishes, fabrics, furniture, lighting and craftsmanship can be every bit as important as the overall room.

I’ve photographed hundreds of kitchens and residential interiors over the years, alongside offices, hospitality spaces and commercial environments. The best ones tend to have something in common: they are spaces you actually want to spend time in.

That is what I try to get across in the photographs.